für zum (E)Gitarren aufnehmen ´n Tip . . . .

[kestudio 4]

Hallo Gitarreros!

Hab´ ich mitgebracht. Klingt geiiiel! Geht auch mit anderen 8ern,

obwohl Bändchen ssuppergutt kommen bei GitarrenAmps.

 

For recording electric guitars, I've been doing a "trick" using the figure-of-eight Royer R121 ribbon microphone. Click Here for more info on the Royer.

 

 

I like this method because it increases the "coupling" of the low-end frequencies and air of the speakers to the mic. I find it great for loud clean sounds and cruncher rhythm parts especially low-tuned guitar parts where you want as much "sturm und drang" as possible.

 

I line up two, 4 x 12 Marshall cabinets directly facing each other as close as six inches. I put the Royer in between the two cabs in the exact middle so that each lobe is aimed at an opposing cabinet. The two lobes of the figure-of-eight pattern are 180 degrees out of phase from each other.

 

The big trick is that you have to flip the polarity of one of the speaker cabinets so it is out of phase with the normally wired cabinet. To get these two cabinets to "push-pull" together, I made a foot-long jumper cable with a female 1/4-in jack at one end and a regular male 1/4-in plug at the other. Just solder the tip of the female to the sleeve of the male and the tip of the male to the sleeve of the female. It's a polarity flipper!

 

Both cabinets must be connected to the same head… I like 100-watt Marshall tops. It's important not to use two amps because there might be a phase flip (between them) other than 180 degrees. You should investigate if the polarities of the speakers inside the cabinets are all the same.

 

Some manufacturers intentionally flip the polarity of the individual speakers to get a particular overall sound character from the cabinet.

 

If that is the case and you don't want to rewire them, figure out which speaker are wired the same way in both cabinets and mic them as a pair with the Royer.

 

You can get a lot of different guitar sounds, by varying how close the speaker cabinet are to each other, where you put the mic, and which pair of speakers you mic. For example, for a bright sound, you can put the mic equidistant and in the exact center of two speaker pairs. If you want more of an overall cabinet sound, pull the cabs further apart and place the mic vertically and horizontally in the center.

 

Lastly, check for equal level from each speaker by having an assistant (he may want to wear ear protection) unplug, one at a time, each cabinet while your guitarist plays. In 1/2-in increments, move the Royer closer to the softer cab. Try rotating the mic, as there is a difference in sensitivity from one side to the other. Every time I have suggested it, guitar players love playing using this rig!

 

Barry Rudolph is an L.A.-based recording engineer.

Visit his Web site at: www.barryrudolph.com.

 

 

 

 

[roehrenheini 0]

ohje, det arme Mikrofon...:7

 

Hübscher Satz:

 

having an assistant (he may want to wear ear protection)

 

Ich nehme mal an, das ist das ultimative für alle NuMetal-Geschichten?

Hast Du Beispiele, bei welchen Aufnahmen diese Technik verwendet wird?

 

Fehlt noch der Hinweis, dass man auch Marshalls nicht ohne Last(Box) betreiben sollte(bei dem Balancecheck)

 

...frank!

 

Wer sich zwischen den Sternen bewegt, kann nur noch lächeln über die kostbaren Fußböden der Reichen. (Lucius Annaeus Seneca)

 

 

[kestudio 4]

Hi Frank!

 

Nicht übel, was? Zappa hatte auch mal einen "PigNose" ins Treppenhaus gestellt und aus fast 2Metern aufgenommen . . .

 

Mein Assi hat mich schon ganz böse angesehen . . . ;-).

Barry hat glaube ich auf seiner Seite Beispiele angegeben - ich schau nochmal nach.

 

Grüezi, Klaus